Oct 6, 2008
Mystified residents have been baffled by empty milk bottles appearing on their doorsteps for months with intricate art etchings created by an artist that’s been dubbed as ‘Pic-glasso’ and ‘Bottle Banksy’ after the enigmatic guerilla graffiti artist whose work appears overnight on buildings across Britain that continually escapes unseen.
When homeowners have gone to grab milk left from the dairyman to sit down to their morning java, they’ve been surprised to find the bottles replaced with an extra empty engraved with images of cows, mice, farmyard scenes and animals into the glass with incredible detail, and the artist long gone.
The bottles started appearing mysteriously at homes in Stourbridge, West Midlands, and surrounding villages last spring, much to the delight of the homeowners, but the identity of the artist remained unknown.
Dawn Jones, 81, from Stourbridge, said she received one drawing and was hoping to get another one. “I am collecting them for my grandchildren, they are marvelous.”
“I had heard something about this from a friend, but nobody knows who is doing it.” said Jackie Dimock, who discovered one of the bottles on her doorstep on Monday.
“I was putting out the empties and I noticed there was an extra one on the doorstep.” she said.
“When I picked it up I saw there was this amazing picture on it. The milkman came to collect the bottles, but I didn’t want to give him the one with the picture on it, I’m going to keep it.”
“Who knows, it might be worth something one day.”
Some of the bottles are left out for refilling and distributed to other homes, but many have been kept as souvenirs or artworks by thrilled residents, and others have even been traded on internet auction sites.
But unlike the ever-elusive Banksy, the artist’s identity behind the milk bottle creations has been revealed as Charlotte Hughes-Martin.
The 30-year-old artist painstakingly engraves the bottles with her own designs — some serious, and others humorous. Once completed, she returns the bottles to random doorsteps in the area, where they’re collected for refilling.
Originally from Cheshire and currently based at the Red House Glass Cone in Wordsley, Stourbridge — a former glass factory — Charlotte uses a variety of techniques, materials and styles to engrave the bottles, taking her inspiration from everyday life. And fittingly, many of her etchings are milk related or feature cows.
Two pieces of her work had been short-listed for the prestigious national Glass Biennale prize.
“Reaction to this milk bottle project has come as a bit of a shock to me. The project started out as something I was doing for myself, and so the immediate interest received from such a wide audience and the Press has been a little overwhelming.”
“The aim of this project was firstly to have a bit of fun; to release art into “the world” and see what would happen. If I introduced something new into the communal glass arena, being moved from one person to another, would it open peoples’ eyes to more of the everyday stuff around them? Would I make the milkman paranoid at the graffiti, and would it get back to the dairy?”
“I was curious to see what would happen.”
“I have started experimenting by taking glass forms and aim to make large scale, highly polished, cast glass.”